Entertainment/Arts/Culture
It’s Like Being In A Zoo – Tems Speaks On Fame

Superstar Nigerian singer and songwriter, Tems has opened up about the struggles she faces when dealing with fame.
She also explained why she she ditched Afrobeats for RnB.
She spoke on while discussing with American rap artist, Kendrick Lamar, as published in the latest volume of Interview Magazine.
Tems noted that being successful usually comes with its pressures and challenges, but she tries to navigate through them by simply being herself.
She said …
“When you become more known or seen, it’s very easy to get caught up in, “What do people expect of me now?” But for me, it’s like, “What do I expect of myself now?” Because you’re the one that has to live with yourself, the one that has to sleep with the decisions that you make. Trusting yourself is so key, and I’m not going to stop trusting my guts just because people can see me now. It’s like being in a zoo. The animals don’t change their behaviour just because you’re looking at them. They’re always going to be who they are. So why should I change?”
The Grammy award-winning artist also spoke on her passion for the R n B genre and how she had ditched Afrobeats for it.
According to the songster, all she wanted to do with the R&B genre was to get a message out.
She said …
“I was prepared to die. I believed in myself so much that I didn’t really care if I never became anything or anyone. I just wanted to get a message out. I wanted to get my frequency out. And I was like, ‘Even if ten people hear this, it’s fine.’ But also along the way, I used to listen to a lot of Nigerian music and I wasn’t getting a lot of spiritual—I love Celine Dion, so, I love that intense feeling of, I’m about to jump off a cliff. That’s how I want my music to feel all the time, and Afrobeats wasn’t necessarily giving me that type of stimulation.”
She mentioned that everyone she had sought advice from about her chosen path advised her to do Afrobeats instead, with the words …
“The only way you can do this is Afrobeats. It’s not that your music is bad, it’s just that it doesn’t fit in Nigeria. Nigerians don’t like this.”
Tems added that regardless of the advice, she refused to give up since making money wasn’t her primary goal.
Entertainment/Arts/Culture
FG Endorses Arewa International Film Festival, Pledges Support

The Federal Government has endorsed the Arewa International Film Festival (AIFF) and pledged its support to showcase the rich and historic beauty of Northern film, creative works, achievements and opportunities.
Minister of Art, Culture, Tourism and the Creative Economy, Hannatu Musawa pledged FG support on Wednesday at the official unveiling of the film festival.
The festival is tagged “Showcasing untapped potential and promoting the rich historical heritage and storytelling of the Sahel region”.
Musawa said that the creative industry remained the best platform to engage and promote Nigeria’s richness, history and diverse heritage to the world.
She, however, said that the Arewa film industry had to showcase its pride and prove its worth in the creative ecosystem to gain relevance.
“It is the responsibility of Arewa stakeholders to take ownership and stop complaining about what Nigeria has not offered them without showcasing what they have to offer Nigerians,” she said.
The minister said that the government was in full support of the festival, which would empower the teeming and growing population of youths in the region.
She said that plans were underway to create a film village among other projects to enhance the industry.
According to her, the Federal Government is currently working on developing film infrastructure such as studios and film villages, with a conscious effort to ensure that Kannywood is fully integrated into that growth process.
She urged the Arewa creatives not to work in silos, but tap into the creative industry potential and deliver worthy and tangible deliverables that would endear Nigeria and the global community to invest and sustain its craft.
She lauded the organisers of the festival for the initiative to showcase the beauty of the Arewa rich conservative creativity.
Musawa also commended the country’s creative industry for striving to brand, promote and rebrand the industry.
Managing Director of the Nigeria Film Corporation (NFC), Ali Nuhu said that the festival was an opportunity for the north to synergies with other regions in the country and beyond.
Nuhu said that it was also an opportunity to unveil new talents, empower and showcase actors, directors, producers and cinematographers in the region.
“The AIFF will serve as an opportunity to address the numerous problems in the arewa space, especially capacity building, skills acquisition, networking, opportunities, partnerships and sponsorships.
“When you look at Southern Nigeria’s creative industry and the kind of things they do, the opportunities they get, it is all because of platforms like this.
“I am excited about this for the filmmakers in the north, across regions and into the global community,” he said.
Convener of the AIFF, Rahama Sadau said that the festival was a cultural renaissance, a youth empowerment movement and a platform to reclaim the narrative of the Sahel creative industry.
Sadau said that the festival would screen over 100 outstanding films, celebrate women in filmmaking, parade royal durbar, award innovation and spotlight emerging stars from the region.
“We have been underrepresented in the global creative dialogue, but the AIFF aims to amplify the creative and cultural expressions of Northern Nigeria as well as celebrating the rich history, literature, and oral traditions.
“I am really excited for the world to hear our conservative stories of worth and value and the quest to protect our conservative nature,” she said.
She acknowledged the Federal Government’s commitment to providing an enabling environment for the growth of the creative sector, particularly in untapped regions like Northern Nigeria.
Sadau said that the government’s support would yield measurable impact, create jobs, empower youth and enable cultural diplomacy.
She advocated for inclusive narratives that reflect the diversity, richness and resilience of the Sahel region and its people in all creative works across the country.
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Entertainment/Arts/Culture
Davido, Chioma Jet Out to Miami for their White Wedding

Famous Nigerian singer, Davido, has jetted out of the country to Miami for his white wedding with Chioma, his wife.
Davido will officially marry Chioma in a white wedding ceremony in the United States this weekend.
A viral video shared by the singer’s cousin,
Adewale Adeleke, captured the moment his family members, including Hailey, his daughter with his second baby mama, were seen arriving in Miami.
Also in Miami are Davido’s crew members and associates, popularly known as 30 Billion Gang, 30BG.
Davido traditionally married Chioma in June 2024 in Lagos State after the arrival of their twins.
Entertainment/Arts/Culture
Rema’s ‘Rave & Roses’ Becomes First African Album to Hit 3bn Streams on Spotify

Nigerian singer Rema’s debut album, Rave & Roses (Ultra version), has become the first African project to surpass 3 billion streams on Spotify.
The lead single of the album, Calm Down (remix with American pop star Selena Gomez), made history last year as the first African song to hit the billion-stream mark on Spotify.
The combined versions of Calm Down contributed over 2 billion streams to the total album streams on Spotify, with the remaining 20 songs contributing less than a billion.
Rave & Roses (Ultra) is followed by South African singer Tyla’s eponymous debut album, with over 2 billion streams, on the list of the most-streamed African projects on Spotify.
Burna Boy’s African Giant and Love, Damini, Wizkid’s Made in Lagos: Deluxe Edition, and CKay’s CKay the First are the other African projects that have surpassed 1 billion streams on Spotify.