Entertainment/Arts/Culture
HAGHER’S LATEST NOVEL, “THE CONQUEST OF AZENGA” ARRIVES FEBRUARY.

By Prof Iyorwuese Harry Hagher
My publishers, Heinemann Plc, have just informed me that this novel will be out this February. And I wish to give my readers a sneak preview of the novel and let them know why I wrote The Conquest Of Azenga.
The novel is set in the 1900 in a fictional West African country of British Sofalia.
The novel centers on the career of Lord Payne, the High Commissioner of Northern Sofalia who is armed with his racism, British Imperialism, the maxim gun, and white Christian missionaries, to conquer and subdue the “savage” tribes of Sofalia which he is determined to civilize.
He even partners with a local oppressor, the Caliph of Sobikhotanu – the biggest slave trader in Africa to subdue the other tribes in Sofalia, in his erroneous belief that the Kilan tribe was racially superior and a more civilized savage tribe, than the other savages, and were born to rule over them.
But Lord Payne’s high handed Imperialism, and witch-hunt, are resisted to death by the Azenga tribe which also resisted Christian missionary’s culturecide. The Azenga had defeated both the the slave trading tribe, the Kilan and their partners, the British with their poisoned arrows….
I write as a duty. This duty is to watch as sentry of human consciousness and to wake up an oblivious humanity when invidious forces begin to undermine human freedom, justice and existence.
My novel is about Imperialism. I seek to expose the fact that imperialism then in the past and now is an evil force.
The forces that enslaved mankind in the past had made slaves of generations of Africans, then and now. The same imperialist forces manifest now in Africa as: corrupt politicians, rapacious elite, Boko Haram and Fulani terrorist herdsmen and kidnappers.
It is the duty of the writer and all artists to war these forces. African citizens are narcotized from long years of mis-education through systematized brainwashing, reading and assimilating toxic nonsense from textbooks and literature and histories that were concocted to entrench low self-esteem and inferiority complexes.
Millions of indigenous people were referred to in official history books as USELESS TRIBES, and they accepted this without a whimper.
This brainwashing has birthed a generation where the work ethic is replaced with criminal instant riches and the communal spirit is replaced by fear, deep insecurity and acute individualism.
We now have a new generation of the fully low self-esteemed and infantilized elite; succumbing to merely conspicuous consumption and display of toys- exotic homes, cars, fashion, abuse of power, and sensual gratification.
I have used The Conquest of Azenga, in the mould of the traditional story tellers to tell my story about the past and throw search-lights on the present. It is my wake up call on all Africans to arise from stupor and lassitude to face nation building as a serious business requiring creativity, backbreaking hard work and sacrifice rather than surrendering to our new imperial masters.
The Azenga tribe in the novel resisted unto death rather than surrender to shameful culturecide.
Nation building is not easy! One of my characters, Saaju, a non muslim herdsman of the privileged Kilan tribe, a former slave of the Caliph tries to escape from the town Muslim Kilan and Christianity only to fall in the trap of the imperialist overlords.
He is abducted, raped, kidnapped and taken away to England where he dies in inclement weather.
It is my hope that my reader will see that the underdevelopment trap we are caught in is cyclical. We are blindfolded and move like zombies in a pit of despair controlled by external forces whose local compradors are our elite and political leaders.
Like the people of Azenga in British Sofalia in the past, these combined forces are overbearing and collapse is inevitable, unless we rise up and put up a formidable resistance. Like the Azenga our African nations are witnessing a new scramble, a new slave trade, and a new internal and external colonialism. The modus operandi of Imperialism has always been; genocide, terror and land expropriation.
My novel is available for my Imperialist readers as well. I ask them as they read the Conquest of Azenga to answer only one question. For how long can your perverse oppression mire us down in the grime without you also facing the same conditions of despair; sprawled over us in the sewers and gutters of human existence?
The COVID -19 pandemic, like the smallpox epidemic in my novel has shown that humankind is held together better in mutuality rather than in mutual antagonism. We live best in love, diversity, peace and justice for all.
This I hope, will be the message my readers will find reading The Conquest of Azenga.
Iyorwuese Harry Hagher
Makurdi, Nigeria.
Entertainment/Arts/Culture
Funke Akindele, Stephen Oluboyo Emerge 2024 Highest Grossing Nollywood Writers

Nollywood Star, Funke Akindele, has emerged the second highest grossing Nollywood writer for the year 2024, along with Collins Okoh and Akinlabi Ishola.This was for the film “Everybody Loves Jennifer” which had generated N1,125 billon at the box office.This was revealed by filmone on its instagram page @filmoneng on Friday.
Stephen Oluboyo became the first highest grossing Nollywood writer with the films: “Everybody Loves Jennifer”, “Alakada Bad and Boujee” and “Aburo” which all raked in N1. 38 billion.For the third highest grossing Nollywood writers, Anthony Joseph clinched the position for the films: “Queen Lateefah”, “The Waiter” and “Alakada Bad and Boujee” with N780 million revenue generated.Jack’ Enneth Opukeme emerged the fourth highest grossing Nollywood writer with films like: “Farmer’s Bride” and “All’s fair in Love” which had generated N299 million at the box office.Stephen Okonkwo made the fifth highest grossing Nollywood writer with “Ajosepo” which raked in N257 million.Adebayo Tijani and Ola Olaoye emerged the sixth highest grossing Nollywood writers with “Beast of Two Worlds: Ajakaju” scooping in N253 million at the box office.Oluyombo Oluwagbemiga and Toyin Abraham became the seventh highest grossing Nollywood writers in 2024 with “Alakada Bad and Boujee” generating N229 million.Also, Odunlade Adekola and Akorede Ibrahim emerged the eighth highest grossing Nollywood writers with “Lakatabu” which generated N202 million.Ayo Makun made the ninth highest grossing Nollywood writer for 2024 with “The Waiter”, generating N185 million while Tunde Babalola emerged the 10th highest grossing Nollywood writer with “Funmilayo Ransom Kuti” which raked in N157 million at the box office. (NAN)Entertainment/Arts/Culture
Wizkid, Burna Boy, others Stun Fans at 2025 Lagos Countdown

Wizkid, Burna Boy and some other Nigerian A-list artistes, on Wednesday at the iconic Tafawa Balewa Square, left their fans in awe as they gave mind-blowing performances during the Greater Lagos Countdown to usher in the New Year.
The event, organised by the Lagos State Ministry of Tourism, Arts and Culture was an unforgettable night of music, excitement, and celebration.
The annual end-of-year celebration brought together people from all walks of life, united by their love for music and desire to celebrate the start of a new year.
The show featured star-studded lineups like Wizkid, Tiwa Savage, Burna Boy, Niniola, Olamide, Adewale Ayuba, Runtown, Bnxn, Nice, Seyi Vibez and several others.
Wizkid, known for his captivating stage presence, got the audience singing along to his hit tracks, while Burna Boy brought his signature energy and passion to his performance.
Tiwa Savage, the Queen of Afrobeats, delivered a sultry and energetic set, showcasing her impressive vocal range and captivating stage presence.
Niniola, the soulful songstress, delivered a heartfelt and emotive performance, showcasing her powerful vocals.
Fuji Maestro, Adewale Ayuba, took his fans to a heightened level of excitement as he performed his old musicals like “Ejo”, “Ijo Fuji”, and others.
Nice also brought back the “Alapomeji” vibes back on stage with ‘steeze’.
Another highlight was the moment host of the show, renowned comedian, Gbenga Adeyinka, taught Gov. Babajide Sanwo-Olu the popular ‘Oblee’ moves.
Earlier, Sanwo-Olu appreciated Lagos residents for demonstrating resilience throughout 2024.
Sanwo-Olu said: “It is indeed another honour to be here at the Tafawa Balewa Square for the countdown 2024 to 2025. Last year, we were all together, and this year, even bigger, better and brighter.
“We are all together at the Tafawa Balewa Square for the countdown to the year 2025. I want to say that indeed this outgoing year was a year of tremendous opportunities for the young.
“It is a year that you have shown true resilience that makes you true Lagosians. If we are together we can succed together.
“So, for your resilience and productivity, I want to say thank you for staying with our government throughout the year 2024, and we wish all of us as we go into 2025 that the very best will happen to each and everyone of us.
“2025 will be a better year for you, for you and for you. To my people in Ajeromi, Ajegunle, Victoria Island, Ajah, Ibeji-Lekki, Ojokoro, Oworoshoki, we will see you bigger and better in 2025.”
The Greater Lagos Countdown 2025 held simultaneously at the five divisions of the state. (NAN)
Entertainment/Arts/Culture
Runtown, Iyanya Thrill Fans at Calabar Carnival Live Concert

The UJ Esuene Stadium in Calabar, Cross River, was abuzz with excitement on Friday night as Nigerian music sensations, Runtown and Iyanya, displayed electrifying performances at the 2024 Calabar Carnival Live Concert.
Report says that the duo’s energetic performances were a perfect blend of their hit songs, infectious beats, and captivating stage presence.
Runtown, known for his unique sound and style, performed some of his biggest hits, like “Mad Over You” and “For Life”.
Iyanya, on the other hand, brought the stage down with his signature blend of R&B and Afrobeats, performing crowd-pleasers like “Kukere” , “Ur Waist” and more.
The crowd was thoroughly entertained, singing along to every song and dancing.
The energy was palpable, with fans waving their hands and screaming for more.
A reveller, Kennedy Amadi, from Imo, in an interview said he deliberately travelled from Abuja, his base, to experience performances by Runtown and Iyanya.
Amadi said he was not disappointed as he got value for his money after being entertained.
Also, Jidenna Akpan who was attending a live concert for the first time, said she enjoyed every bit of the artistes’ energetic performances.
“This is so interesting and I will be looking forward to the next edition of the carnival concert. Then, I believe other artistes will be allowed to perform as well,” she said.
For Frank Udo, meeting Runtown at the concert was the highlight of the carnival for him.
Report says that other up-and-coming artistes also performed to the excitement of the revellers. (NAN)
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