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HAGHER’S LATEST NOVEL, “THE CONQUEST OF AZENGA” ARRIVES FEBRUARY.

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By Prof Iyorwuese Harry Hagher


My publishers, Heinemann Plc, have just informed me that this novel will be out this February. And I wish to give my readers a sneak preview of the novel and let them know why I wrote The Conquest Of Azenga.


The novel is set in the 1900 in a fictional West African country of British Sofalia.

The map of British Sofalia in 1900 is provided with its coastland, cities, tribal lands, rail systems and its two major rivers the Solomougu and Lafa rivers.

The novel centers on the career of Lord Payne, the High Commissioner of Northern Sofalia who is armed with his racism, British Imperialism, the maxim gun, and white Christian missionaries, to conquer and subdue the “savage” tribes of Sofalia which he is determined to civilize.

He even partners with a local oppressor, the Caliph of Sobikhotanu – the biggest slave trader in Africa to subdue the other tribes in Sofalia, in his erroneous belief that the Kilan tribe was racially superior and a more civilized savage tribe, than the other savages, and were born to rule over them.  

 But Lord Payne’s high handed Imperialism, and witch-hunt,  are resisted to death by the Azenga tribe which also resisted Christian missionary’s culturecide. The Azenga had defeated both the the slave trading tribe, the Kilan and their partners, the British with their poisoned arrows….


 I write as a duty. This duty is to watch as sentry of human consciousness and to wake up an oblivious humanity when invidious forces begin to undermine human freedom, justice and existence.

My novel is about Imperialism. I seek to expose the fact that imperialism then in the past and now is an evil force.

The forces that enslaved mankind in the past had made slaves of generations of Africans, then and now. The same imperialist forces manifest now in Africa as: corrupt politicians, rapacious elite, Boko Haram and Fulani terrorist herdsmen and kidnappers.   

It is the duty of the writer and all artists to war these forces. African citizens are narcotized from long years of mis-education through systematized brainwashing, reading and assimilating toxic nonsense from textbooks and literature and histories that were concocted to entrench low self-esteem and inferiority complexes.

Millions of indigenous people were referred to in official history books as USELESS TRIBES, and they accepted this without a whimper.

  This brainwashing has birthed a generation where the work ethic is replaced with criminal instant riches and the communal spirit is replaced by fear, deep insecurity and acute individualism.

We now have a new generation of the fully low self-esteemed and infantilized elite; succumbing to merely conspicuous consumption and display of toys- exotic homes, cars, fashion, abuse of power, and sensual gratification.


 I have used The Conquest of Azenga, in the mould of the traditional story tellers to tell my story about the past and throw search-lights on the present. It is my wake up call on all Africans to arise from stupor and lassitude to face nation building as a serious business requiring creativity, backbreaking hard work and sacrifice rather than surrendering to our new imperial masters. 

The Azenga tribe in the novel resisted unto death rather than surrender to shameful culturecide.

Nation building is not easy! One of my characters, Saaju, a non muslim herdsman of the privileged Kilan tribe, a former slave of the Caliph tries to escape from the town Muslim Kilan and Christianity only to fall in the trap of the imperialist overlords.

He is abducted, raped, kidnapped and taken away to England where he dies in inclement weather.


 It is my hope that my reader will see that the underdevelopment trap we are caught in is cyclical. We are blindfolded and move like zombies in a pit of despair controlled by external forces whose local compradors are our elite and political leaders. 


Like the people of Azenga in British Sofalia in the past, these combined forces are overbearing and collapse is inevitable, unless we rise up and put up a formidable resistance. Like the Azenga our African nations are witnessing a new scramble, a new slave trade, and a new internal and external colonialism. The modus operandi of Imperialism has always been; genocide, terror and land expropriation. 

 My novel is available for my Imperialist readers as well. I ask them as they read the Conquest of Azenga to answer only one question. For how long can your perverse oppression mire us down in the grime without you also facing the same conditions of despair; sprawled over us in the sewers and gutters of human existence? 


The COVID -19 pandemic, like the smallpox epidemic in my novel has shown that  humankind is held together better in mutuality rather than in mutual antagonism. We live best in love, diversity, peace and justice for all.

 This I hope, will be the message my readers will find reading The Conquest of Azenga.


Iyorwuese Harry Hagher  
Makurdi, Nigeria.

Entertainment/Arts/Culture

Nollywood series “The Party” for premiere on Netflix May 30

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 Star-studded Nollywood series “The Party” is set to premiere on Netflix May 30, its producer has said.

The producer of the acclaimed series, Judith Audu, disclosed this in a post on her Instagram page.

The Party is a three-part murder mystery series that tells the story of how everyone became a suspect when a young, successful, newly married man died unexpectedly and dramatically.

The series, directed by Yemi Morafa, features a lineup of A-list Nollywood actors, including Shaffy Bello, Uzor Arukwe, Mide Martins, Kunle Remi, and James Gardiner.

The series showcases brilliant performances by Tope Olowoniyan, Ben Touitou, Ray Adeka, and introduces Eva Ibiam in a standout debut.

The Party, a fully independent production of Ope Ajayi and Captain of Sea Productions, was originally conceived as a feature-length movie.

However, after being acquired by Netflix, it was restructured into a three-part series.

Earlier, Ajayi, in a post on his social media page, said that the Netflix series was one that would keep the audience guessing about the culprit.

In his words; “You’ll never be able to guess who did it.”

He further added: “The performances are perhaps one of my favourite things about the series.

“Everyone brought their A-game!”(NAN) 

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Gay relationship: Nigerian Skit Maker Threatens Colleagues Over Requests

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A Nigerian content creator, Chukwueze Odinaka, aka ‘Mama Uka’, has called on colleagues seeking for gay relationship with him to desist from such act.

Odinaka, who specializes in skit making, in a video clip message shared via his Instagram page, threatened to expose some of his colleagues and other men if they did not desist  from such demand.

According  to him, he is tried to be polite with his gay admirers, telling them that he is straight, but they have continued to make advances at him.

He  added that since they were adamant to his refusal, he promised to expose anyone who approach him for a gay relationship regardless of their positions.

“This message is for my colleagues and others who do not want to respect themselves.

” If anyone comes to my DM again as my fellow man to ask me out, I will screenshot it and post.I won’t mind your status.

”  And you know Nigerian blogs like that kind of news, they will post you. This is the last warning.

“I have tried to be mature about this by telling you privately that I am straight.

“I am a father, also I come from a very sacred place, Enugu Ezike. We do not misbehave

“If any of you comes to my DM again to ask me out, I will post it,”he wrote.

Odinaka professionally known as  Mama Uka  is a Nigerian comedian and content creator, who shoots comedy using the guise of an elderly woman. (NAN)

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Entertainment/Arts/Culture

‘Sikandar’ top Netflix Nigeria Chart

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 ‘Sikandar’, an action movie about a grieving king who finds new purpose by waging war against powerful enemies, has topped the Netflix film chart in Nigeria.

‘Fear Street: Prom Queen’, a slasher movie about a bloodthirsty killer stalking candidates for prom queen, came in second, while ‘Knock at the Cabin’ is ranked third on the chart.

‘Breaking’, a drama movie, ‘Lucy’ and ‘Exterritorial’ are forth, fifth and six respectively on the chart.

‘Inside Man: Most Wanted’, ‘Havoc’ and ‘Last Bullet’ are seventh, eighth and ninth on the chart while ‘A Lagos Love Story’ a romantic movie, rounds up the top 10. (NAN)

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