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HAGHER’S LATEST NOVEL, “THE CONQUEST OF AZENGA” ARRIVES FEBRUARY.

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By Prof Iyorwuese Harry Hagher


My publishers, Heinemann Plc, have just informed me that this novel will be out this February. And I wish to give my readers a sneak preview of the novel and let them know why I wrote The Conquest Of Azenga.


The novel is set in the 1900 in a fictional West African country of British Sofalia.

The map of British Sofalia in 1900 is provided with its coastland, cities, tribal lands, rail systems and its two major rivers the Solomougu and Lafa rivers.

The novel centers on the career of Lord Payne, the High Commissioner of Northern Sofalia who is armed with his racism, British Imperialism, the maxim gun, and white Christian missionaries, to conquer and subdue the “savage” tribes of Sofalia which he is determined to civilize.

He even partners with a local oppressor, the Caliph of Sobikhotanu – the biggest slave trader in Africa to subdue the other tribes in Sofalia, in his erroneous belief that the Kilan tribe was racially superior and a more civilized savage tribe, than the other savages, and were born to rule over them.  

 But Lord Payne’s high handed Imperialism, and witch-hunt,  are resisted to death by the Azenga tribe which also resisted Christian missionary’s culturecide. The Azenga had defeated both the the slave trading tribe, the Kilan and their partners, the British with their poisoned arrows….


 I write as a duty. This duty is to watch as sentry of human consciousness and to wake up an oblivious humanity when invidious forces begin to undermine human freedom, justice and existence.

My novel is about Imperialism. I seek to expose the fact that imperialism then in the past and now is an evil force.

The forces that enslaved mankind in the past had made slaves of generations of Africans, then and now. The same imperialist forces manifest now in Africa as: corrupt politicians, rapacious elite, Boko Haram and Fulani terrorist herdsmen and kidnappers.   

It is the duty of the writer and all artists to war these forces. African citizens are narcotized from long years of mis-education through systematized brainwashing, reading and assimilating toxic nonsense from textbooks and literature and histories that were concocted to entrench low self-esteem and inferiority complexes.

Millions of indigenous people were referred to in official history books as USELESS TRIBES, and they accepted this without a whimper.

  This brainwashing has birthed a generation where the work ethic is replaced with criminal instant riches and the communal spirit is replaced by fear, deep insecurity and acute individualism.

We now have a new generation of the fully low self-esteemed and infantilized elite; succumbing to merely conspicuous consumption and display of toys- exotic homes, cars, fashion, abuse of power, and sensual gratification.


 I have used The Conquest of Azenga, in the mould of the traditional story tellers to tell my story about the past and throw search-lights on the present. It is my wake up call on all Africans to arise from stupor and lassitude to face nation building as a serious business requiring creativity, backbreaking hard work and sacrifice rather than surrendering to our new imperial masters. 

The Azenga tribe in the novel resisted unto death rather than surrender to shameful culturecide.

Nation building is not easy! One of my characters, Saaju, a non muslim herdsman of the privileged Kilan tribe, a former slave of the Caliph tries to escape from the town Muslim Kilan and Christianity only to fall in the trap of the imperialist overlords.

He is abducted, raped, kidnapped and taken away to England where he dies in inclement weather.


 It is my hope that my reader will see that the underdevelopment trap we are caught in is cyclical. We are blindfolded and move like zombies in a pit of despair controlled by external forces whose local compradors are our elite and political leaders. 


Like the people of Azenga in British Sofalia in the past, these combined forces are overbearing and collapse is inevitable, unless we rise up and put up a formidable resistance. Like the Azenga our African nations are witnessing a new scramble, a new slave trade, and a new internal and external colonialism. The modus operandi of Imperialism has always been; genocide, terror and land expropriation. 

 My novel is available for my Imperialist readers as well. I ask them as they read the Conquest of Azenga to answer only one question. For how long can your perverse oppression mire us down in the grime without you also facing the same conditions of despair; sprawled over us in the sewers and gutters of human existence? 


The COVID -19 pandemic, like the smallpox epidemic in my novel has shown that  humankind is held together better in mutuality rather than in mutual antagonism. We live best in love, diversity, peace and justice for all.

 This I hope, will be the message my readers will find reading The Conquest of Azenga.


Iyorwuese Harry Hagher  
Makurdi, Nigeria.

Entertainment/Arts/Culture

BBNaija’s Queen Mercy Confirms crash of Her One-year Marriage

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Big Brother Naija reality show star, Queen Mercy Atang, has finally confirmed the crash of her one-year marriage.

The single mother of one got married to David Oyekanmi in March 2024 amid a public dispute with her baby daddy, skit maker Lord Lamba.

A few months after their marriage, Mercy sparked marital crisis rumours after she unfollowed her husband on Instagram and deleted their wedding pictures.

Debunking the speculation, the BBNaija Shine Ya Eye housemate explained, “I was trying to take my marriage off social media and reduce some of the things I put out there.

However, in a new development on Wednesday, she finally confirmed her separation from David while addressing her marital status in an Instagram comment.

Queen Mercy had shared a new picture of herself from actress Mercy Aigbe’s mother’s burial last week.

Commenting on the photo, a fan, @makachrist, asked, “Queen, hope you are still married because asa, you are too beautiful to be single.”

The reality star replied, “Single and unavailable.”

Spotify W

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Entertainment/Arts/Culture

It’s Chaotic, Fireboy on Relationship, Dating

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Nigerian Afrobeats singer Adedamola Adefolahan, popularly known as Fireboy DML, has opened up about his dating life, revealing that it is chaotic.

Speaking in a recent episode of the Reprezent podcast, the movie star said the messy nature of Lagos dating scene inspired his hit song, ‘Ashawo.

“In my song ‘Ashawo’ I was trying to paint a picture of what the dating scene is like in Lagos where I live.

It’s a mess,” he explained.

On his relationship experience, Fireboy said, “It is chaotic. But I thrive with girls. When I’m under pressure, I usually find balance in girls.”

Fireboy has previously revealed that he was looking forward to suffering a heartbreak in a bid to get inspiration to make more genuine music.

The singer has not publicly confirmed a girlfriend or any romantic relationship

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Entertainment/Arts/Culture

Dagrin Influenced Me, Other Rappers – Olamide

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Ace rapper Olamide has revealed the role that late Indigenous rapper, Dagrin, played in his career.

Speaking on the impacts of Dagrin in a recent video broadcast, the YBNL boss admitted that the late rapper influenced him and a lot of other rappers.

Olamide revealed that he listens to Dagrin’s critically acclaimed album, ‘C.

E.
O’ for inspiration whenever he is experiencing “writer’s block”.

He said, “Dagrin’s ‘C.E.O’ album is a timeless project. That’s the only rap album almost everybody in the south west can sing word for word. Dagrin influenced a lot of rappers, whenever we need motivation, we would go and listen to his album.”

Dagrin died in an auto crash in April 2010.

His music became more popular after his death.

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