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WHEN HELL TAKES OVER PARADISE:

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A REVIEW OF IYORWUESE HARRY HAGHER’S A PORTRAIT OF PARADISE

James Tar Tsaaior

A Portrait of Paradise is a pulsating, telling tale in the tradition of political allegory.

It narrates a modern nation-state inextricably entangled in a sticky web of manifold contradictions which gnaws viscerally at its very soul and existence.
The novel is largely set in the fictional West African nation of Sofalia, a metaphor for, and epitome, of unrelieved suffering. In it Iyorwuese Harry Hagher skillfully demonstrates how Sofalia’s political elite manipulate the levers of naked power, and anything and everything in-between, to privilege and sustain their affluent, hedonistic, permissive and self-aggrandising lifestyles to the detriment and mutual exclusivity of the Atsan.
This is the mass of the oppressed, impoverished and dispossessed population who exist in the peripheries and lowest rungs of the social pyramid and are at the mercy of life’s vicissitudes.

Sofalia is a confirmed, pitiable case of a modern nation-state on the precincts of a yawning precipice. Led by a brood of viperous, treacherous, egocentric, and selfish politicians who have parceled the national patrimony among themselves as fiefdoms or personal estates it is a name which is synonymous with mass poverty, suffering and death. It has, therefore, been plunged into the ever-deepening, abysmal political quagmire as a failed state. Its infrastructure is decrepit, its economy in the doldrums, its social life severely stratified without a middle class and life is ruinously divided like an ever-widening chasm along the extremities of the opulent and the dispossessed.

At the head of its delinquent political elite is President Kila who is on the threshold of ending his second and final term. There is also Senator Kini Mulaake (literally swollen testes) who, through deft political gerrymandering, is expected to succeed Kila. These predatory politicians prey on their citizens particularly young, ambitious women, and truncate their dreams of becoming productive and prosperous citizens. Senator Kini is most notorious in this regard as he wrecks the lives of such women. One victim is the brilliant first class graduate, Aishatu, also known as Queen Aisha, who ends up as a psychiatric case due to crack cocaine abuse. Then there is Queen Akember, the intemperate wife of the brutal terror gang leader Gungun. Gungun himself, a victim of serial political betrayals by Kini, ends up paralysed neck down in a German health facility after surviving a deadly bombing by Sofalia security forces in his isolated Binda Hills cave where he mines precious minerals for Senator Kini and his political cohorts and co-travellers.

In a narrative which eminently qualifies as a political parable, Hagher portrays Senator Kini as a villainous hero whose vaunted ambition to become president of Sofalia miscarries as the combined conspiracy of the West and the two queens, Aisha and Akember, proves fatal and consequential. The senator loses balance in the political quicksand he has plunged himself into and ends up as a guest of the Criminal Court at The Hague for war crimes. The epiphanic moment for him arrives when he confesses in a dramatic monologue his apotheosis as a political pervert who acknowledges the transience of power and the futility of its appurtenances and announces his conversion and redemption.

In this novel, Hagher, a former Nigerian senator, minister, envoy, academic, scholar, and storyteller, masterfully etches on the narrative canvas the motifs of political brigandage, economic sabotage, social savagery, and moral debauchery which animate and mediate politics in an African modern nation-state which bears striking resemblances with his native Nigeria. Hagher, therefore, enjoys the charmed kinship of other African novelists like Chinua Achebe, Ngugi wa Thiong’o, Naguib Mahfouz, Nadine Gordimer, Tayib Saleh, etc. who have ploughed the undulating furrows of social ennui and political corruption ravaging Africa in their creative oeuvre.

The novel’s preoccupation gravitates to the appropriation of the national commonwealth by a parasitic and unproductive political oligarchy, the Ogas (potentates in Nigerian Pidgin English) which institutes social hierarchies that keep the masses perpetually submerged on the margins. The political class illegally mines the rich mineral resources of Sofalia, enriches and ensconces itself in the cocoons of power, funnels the wealth into offshore bank vaults in Western capitals and clandestinely promotes terrorism and banditry to perpetuate the crime and their reign. What should be a true paradise with prodigious endowments is paradoxically and regrettably the very abyss of hell for the citizens. When Sofalia is expecting the high profile state visit of President Barack Obama of the United States of America, the government orders the cleansing or purging of the capital city, Calanana of the pathology of the Atsan class considered the contagion of society. This empty, cosmetic ritual exemplifies the murderous rage against the Atsan, the hoi polloi who are ironically the real creators of wealth but who have been alienated and reduced to crass, crushing poverty. In the end, the state visit is aborted by the contingencies of endemic corruption and egregious human rights abuses by the political elite of Sofalia.

Also on the novel’s narrative agenda is the defining gender calculus which limits and undermines female agency and subjectivity. Patriarchy enacts its visceral energies to dominate, oppress and repress women who also contest phallic power through matriarchal resistance armatures. This gender contestation piths the male political juggernauts led by Senator Kini who represents the patriarchal power integer and the subversive female vanguard under Queens Aisha and Akember. These women are modeled after the archetypal Dahomean Amazons (female warriors who protected the integrity of the empire) and other powerful African/Black women in history. In their attempt to undermine male power and its totalizing assumptions, these two queens combine efforts to counteract patriarchal domination and sexploitation of women in Sofalia through the creative mobilization, conscientization and application of resources of their respective groups, the Atsan and the Gungun Terror Organisation to battle Senator Kini to a virtual standstill. From all indications, it is obvious that the new Sofalia will reckon with the power of women as veritable complementary vectors of positive transformation and indispensable partners in the political and social engineering processes. By privileging female power and ideology, Hagher cultivates the gender inclusivist literary company of female writers like Ama Ata Aidoo, Nawal El Saadawi, Assia Djebar, Chimamanda Adichie, NoViolet Bulawayo, etc.  

Like his late compatriot, writer and environmentalist, Ken Saro-Wiwa, Hagher sets his sights on the important issue of nature and the environment and creatively weaves that concern into the novel’s narrative motions. The power of nature over humanity and the imperative for healing and restoration of the delicate balance humanity and threatened ecosystem is foregrounded through the ocean surge which drowns Kepe village on the coast of the Atlantic Ocean. The devastating storm exerts a profound impact on the environment in a time climate change has become a significant issue on the global agenda. It is the storm that throws up Aishatu who is adopted by the mega-billionaire pastor of Paradise Church, Godswill and his delectable wife, Beatrice. The power of religious bigotry and hypocrisy preoccupied with obscene riches and drunk with iniquitous power is underscored through Godswill and Little Jehovah, two of the most consequential religious personages in the novel. Tragedy paradoxically functions as a destructive but also benevolent, redemptive force in the life of Aishatu as she emerges from the storm as a prodigy destined for greatness. This is how Senator Kini meets with Aishatu and this encounter sets up a concatenation of events in the novel’s narrative kinesis which builds up in the climax of frustrating Kini’s presidential bid.

Hagher’s style is a delightful blend of prose and poetry, what can be adjudged as proetry. The language supremely incantatory and evocative, the imagery vivid, the atmosphere tense and the narrative flows gracefully but also powerfully like a river in flood, or an avalanche carrying everything that stands in its path. His lyrical, lightsome style helps to animate or vivify the plot proceedings and deepen the immanent tensions, conflicts, and latent resolutions the novel orchestrates. Even when the language sometimes borders on the academic, it fascinates and propels the narrative motions in a direction that complicates the plot and heightens emotions and expectations leading to the denouement. Hagher’s characters in the novel are authentic, compelling, down-to-earth and true to life. In the context of prebendal politics in a failed postcolonial nation-state like Sofalia, President Kila, Senator Kini, Gungun, Queens Aisha and Akember, among others represent the power bases or centers in conflicted interactions to unearth the corpus of contradictions that bedevil and plague Sofalia and which must be addressed for a more egalitarian and equitable society to emerge where there will be freedom and social justice for all citizens.

In the end, Hagher’s authorial intentionality transcends the empire writes back tradition and insightfully and frontally engages the disquieting pathologies of the modern nation-state in Africa. He accomplishes this narrative project with a transgresssive, progressive vision and subversive temperament casting critical barbs at the corps of egocentric and self-serving political perverts with a grand sense of messianism and triumphalism that has only caused perpetual inertia and arrested development and squelched national dreams. This is a superlatively readable and riveting narrative that playfully teases human emotions but also boldly offers a powerful commentary on the vexed paradoxes of the human existential condition in a modern nation-state.

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Gov Otu Reshuffles Cabinet, Charges Exco on Performance

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From Ene Asuquo, Calabar

Cross River State Governor, Sen. Prince Bassey Edet Otu, has reshuffled his cabinet in a strategic move aimed at reinvigorating governance and positioning his administration for greater efficiency as it enters the electioneering phase.

The decision, announced at an emergency meeting of the State Executive Council in Calabar, saw some commissioners redeployed to new ministries while others retained their portfolios in recognition of their outstanding performance.

The Governor described the exercise as a deliberate recalibration of government machinery to consolidate the gains of his administration and accelerate the delivery of his People First agenda.

Addressing members of the Executive Council, Governor Otu emphasized that the reshuffling was neither punitive nor a reward system but a necessary leadership instrument designed to align talent with evolving governance priorities. “Government is a living institution; it must constantly adjust to new realities.

Otu maintained that the exercise is about injecting fresh energy, maximizing individual strengths, and ensuring that every member of this cabinet remains focused on the larger vision of transforming Cross River State. We have crossed the threshold of foundation-laying; this is the season of consolidation and accelerated delivery,” the Governor declared.

The Governor reminded council members that with the administration approaching another electoral cycle, the expectations of citizens had become even higher, insisting that only measurable performance, innovation, and unwavering commitment to public service would define the legacy of his government. “Electioneering must never distract us from governance.

The people will judge us, not by slogans, but by roads constructed, hospitals revitalized, schools improved, jobs created, and the quality of life we have enhanced. Every commissioner must see his or her ministry as a performance centre. There is absolutely no room for complacency,” he charged.

Governor Otu further urged members to regard their new assignments as opportunities for renewed service rather than personal victories or setbacks, stressing that collective success remained the administration’s ultimate objective.

“There are no superior or inferior ministries. Every portfolio is strategic because every ministry touches the lives of our people. Whether you have been reassigned or retained, your mandate remains unchanged to serve with integrity, discipline, creativity, and absolute loyalty to the people of Cross River State.

History will remember results, not titles,” he stated.

The Governor also called for stronger collaboration across ministries, departments, and agencies, noting that the complexities of modern governance demanded teamwork rather than institutional rivalry.

“This administration must continue to speak with one voice and work with one purpose. Let us eliminate bureaucratic silos, deepen inter-ministerial cooperation, and pursue every policy with urgency and accountability.

The confidence of our people is our greatest political capital, and we must justify it every single day through visible, impactful governance,” he said.

Members of the Executive Council welcomed the Governor’s decision, describing the reshuffle as timely and reflective of his determination to strengthen governance ahead of the next phase of the administration.

The renewed cabinet configuration is expected to inject fresh momentum into policy implementation, reinforce institutional efficiency, and sharpen the government’s development agenda, as Governor Otu reaffirmed his commitment to building “a stronger, more prosperous, and more united Cross River where performance remains the only enduring currency of public service.”

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WHO Donates Vehicles, Medical Equipment to Kaduna Nursing Colleges

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The World Health Organisation (WHO) on Monday donated two vehicles and other medical equipment to Kaduna State College of Nursing Sciences in Pambegua and Tudun Wada.

Speaking at the handover event in Kaduna, the WHO official, Dr.

Furera Zakari, said the support was made possible through the generous funding of the Foreign, Commonwealth and Development Office (FCDO) under the Education and Skills for Health Transformation Initiative (ESHTI) project.

Zakari commended the sustained commitment of the FCDO to strengthening health systems and investing in the future of healthcare in Nigeria.

Zakari said a strong health system begins with a well-trained, competent and motivated health workforce.

According to Zakari, nurses and midwives remain the backbone of health care delivery, particularly at the primary healthcare level,where they provide essential services to millions of people every day.

“Recognising this important role, WHO and FCDO undertook comprehensive resource and risk assessment at the college of nursing science in Pambegua and Tudun Wada campuses.

“These assessments identified several gaps affecting teaching, practical skills acquisition, learning environments and institutional capacity.

”Based on these findings, a comprehensive package of interventions was developed to address the identified needs and support the colleges in meeting the required standards for nursing education.”

She listed the equipment donated to include two brand new school buses; one for each campus, medical simulation and clinical training equipment, ICT equipment, desktop computers, and solar power systems generators.

Others included, library furniture and educational resources, office furniture and equipment, classroom furniture, fire safety equipment and hostel furniture and fittings.

She said the investment represents more than physical assets and will significantly improve mobility for students and faculty during academic and clinical training activities.

According to her, the additional equipment will strengthen teaching and learning, improve practical skills acquisition and create a more conducive environment for producing competent nurses and midwives.

Also speaking, the Commissioner for Health, Umma Ahmed appreciated the partners for the equipment donated assuring them of proper utilisation.

She said proper deployment, maintenance and security will be given to the equipment for continuous benefits of future generations of healthcare professionals.

The commissioner assured them of continuous partnership in strengthening health systems, improving health workforce capacity, and advancing universal access to quality healthcare services.

In her speech, the Director Nursing Services, Naomi Kukah said the equipment are prerequisite to accreditation and for practicals.

Kukah said the vehicles will improve mobility for students and faculty academic and clinical training activities.

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Supreme Court Upholds Death Sentence of Man Convicted for killing Another

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The Supreme Court affirmed the conviction and death sentence of Abu Umar, for stabbing a man to death during a fight.

In the Certified True Copy of the judgment of the Supreme Court made available to newsmen on Monday in Abuja, Justice Jummai-Hannatu Sankey, held that the appeal filed by Umar, lacked merit.

The panel affirmed the July 22, 2020 decision of the Court of Appeal sitting in Kaduna State which upheld the death sentence handed down to Umar by the High Court of Justice, Kaduna State, on Dec.

14, 2017, about nine years after conviction.

The apex court agreed with the arguments of counsel to Kaduna State Government, Emmanuel Ekpenyong Esq.

of the law firm of Fred-Young & Evans LP.

In the respondent’s brief, Ekpenyong, who was granted a fiat to appear for the prosecution by the state’s Attorney General, argued that with the evidence led by the prosecution at the trial court, the prosecution had proven its case beyond reasonable doubt.

Umar, who was the appellant, had appealed against the unanimous verdict of the Appeal Court in Kaduna which affirmed the judgment of the Kaduna State High Court in charge number: KDH/KAD/29C/2016.

The state government charged Umar with culpable homicide punishable with death under Section 221(b) of the Penal Code Law of Kaduna State.

Umar was alleged to have on June 25, 2015, at Tafa Town in Niger State, stabbed one Abdulkadir Abubakar, on the right side of his chest with a knife during a fight.

Abubakar was said to have died shortly at the Umaru Musa Yar’adua Hospital in Sabon Wuse, Niger State, where he was taken to.

The appellant was apprehended at the crime scene and taken to the police station at Tafa, Niger State.

After the investigation at the police station at Tafa Town, the matter was later transferred to the Anti-Homicide Section, Kaduna State CID of the Nigerian Police Force, for further investigation.

Upon conclusion of investigation, Umar was charged at Kaduna State High Court on one count on Feb. 29, 2016 of the offence of culpable homicide and was arraigned before Justice G.I. Kurada.

In proving the charge, the prosecution called three witnesses and tendered three exhibits, including the knife which Umar allegedly used to stab Abubakar, before closing its case.

On his part, Umar, in line with his constitutionally guaranteed rights, decided to rest his case on that of the prosecution.

Thus, the defendant neither testified for himself nor did he adduce evidence through witnesses or other hard forms of evidence.

After evaluating the evidence presented before the court, Justice Kurada found Umar guilty as charged and proceeded to convict and sentence him accordingly.

The appellant approached the Appeal Court with his notice of appeal filed on Jan. 23, 2018.

In its judgment on July 22, 2020, the Appeal Court dismissed the appeal and upheld the judgment of the trial court.

Dissatisfied with the decision, the appellant, through his lawyer, Umar Galadima Esq., filed a notice of appeal on Aug. 19, 2020.

In his brief of argument marked: SC/CR/499/2022, Galadima raised a sole issue for determination.

The lawyer asked, “whether the learned Justices of the Court of Appeal were not wrong when they affirmed the decision of the trial court on the ground that the respondent proved its case beyond reasonable doubt.”

Delivering the lead judgment, which was unanimously concurred by other justices, Justice Sankey sustained Ekpenyong’s arguments.

She held that the prosecution, through the eye-witness’ accounts of the 2nd prosecution witness (PW2), a police officer; PW-3, the father of Abubakar, and Exhibit 1, the extra-judicial confessional statement of Umar, proved the three ingredients of the offence he was charged for.

The judge opined that “the appellant has raised a dust storm over the absence of a medical report to establish the death of the deceased.”

According to her, however, the law is since settled that where death was instant, or within a short time after, mostly within 24 hours after the incident leading to the death, the need for medical report becomes otiose.

Justice Sankey said: “In the circumstance of this case, medical evidence ceases to take a paramount place, the deceased having died a mere one hour and thirty minutes from his admission in the hospital.”

The judge held that the appellant sealed his fate and shot himself in the foot when he rested his case on that of the respondent.

“From the entire analysis of the case of the respondent at the trial court, it was clear that the prosecution had discharged the burden placed on it by law to establish the guilt of the appellant beyond reasonable doubt.

“Unfortunately, the appellant, who was all through the proceedings represented by counsel, was ill-advised to rest his case on the very evidence which conclusively established his guilt.

“It is for these reasons that I resolve the sole issue for determination against the appellant and in favour of the respondent.

“Consequently, I find this appeal sorely lacking in merit. It fails and is dismissed,” she held.

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