Entertainment/Arts/Culture
Wizkid, Burna Boy, others Stun Fans at 2025 Lagos Countdown
Wizkid, Burna Boy and some other Nigerian A-list artistes, on Wednesday at the iconic Tafawa Balewa Square, left their fans in awe as they gave mind-blowing performances during the Greater Lagos Countdown to usher in the New Year.
The event, organised by the Lagos State Ministry of Tourism, Arts and Culture was an unforgettable night of music, excitement, and celebration.
The annual end-of-year celebration brought together people from all walks of life, united by their love for music and desire to celebrate the start of a new year.
The show featured star-studded lineups like Wizkid, Tiwa Savage, Burna Boy, Niniola, Olamide, Adewale Ayuba, Runtown, Bnxn, Nice, Seyi Vibez and several others.
Wizkid, known for his captivating stage presence, got the audience singing along to his hit tracks, while Burna Boy brought his signature energy and passion to his performance.
Tiwa Savage, the Queen of Afrobeats, delivered a sultry and energetic set, showcasing her impressive vocal range and captivating stage presence.
Niniola, the soulful songstress, delivered a heartfelt and emotive performance, showcasing her powerful vocals.
Fuji Maestro, Adewale Ayuba, took his fans to a heightened level of excitement as he performed his old musicals like “Ejo”, “Ijo Fuji”, and others.
Nice also brought back the “Alapomeji” vibes back on stage with ‘steeze’.
Another highlight was the moment host of the show, renowned comedian, Gbenga Adeyinka, taught Gov. Babajide Sanwo-Olu the popular ‘Oblee’ moves.
Earlier, Sanwo-Olu appreciated Lagos residents for demonstrating resilience throughout 2024.
Sanwo-Olu said: “It is indeed another honour to be here at the Tafawa Balewa Square for the countdown 2024 to 2025. Last year, we were all together, and this year, even bigger, better and brighter.
“We are all together at the Tafawa Balewa Square for the countdown to the year 2025. I want to say that indeed this outgoing year was a year of tremendous opportunities for the young.
“It is a year that you have shown true resilience that makes you true Lagosians. If we are together we can succed together.
“So, for your resilience and productivity, I want to say thank you for staying with our government throughout the year 2024, and we wish all of us as we go into 2025 that the very best will happen to each and everyone of us.
“2025 will be a better year for you, for you and for you. To my people in Ajeromi, Ajegunle, Victoria Island, Ajah, Ibeji-Lekki, Ojokoro, Oworoshoki, we will see you bigger and better in 2025.”
The Greater Lagos Countdown 2025 held simultaneously at the five divisions of the state. (NAN)
Entertainment/Arts/Culture
Wizkid Originally Owned ‘Alive’ Before Jorja Smith Took it over, Singer Reveals
British singer Jorja Smith has revealed that her collaboration with Nigerian star Wizkid on the track “Alive” originally belonged to the Afrobeats artiste before she took it on.
In a recent interview shared by AlbumTalksHQ on X on Wednesday, Smith explained the origins of the song, which appears on her new album.
“That’s actually the oldest song on the album because we did, that’s one of the first songs we started and Wiz had his verse and then going off the back of what he was saying it just, it was just reminding me of like driving down to meet someone.
”“Like yeah and I don’t know there’s like a driving force in the song, a pull and yeah it was making me think of like the initial meeting, first chatting to someone’s stages, that vibe,” she said.
Smith described the track as being about finding new fresh love, noting that the music video was shot in Paris.
“I really like this song, it’s amazing. It’s about kind of finding new fresh love. Also the music video was in Paris, so it’s like love in the air,” she added.
Asked why Wizkid was the right feature for the song, the singer pointed to producer P2J’s earlier work.
“So P2J had that song with Wiz already and then I’d heard it and then I was, yeah,” she stated.
The British artiste further reflected on how the existing verse from Wizkid guided the direction of the record, turning what began as an early studio idea into a finished piece that captures the excitement and pull of a new connection.
She noted that the song’s driving energy and sense of movement stemmed directly from the Nigerian star’s contribution, making it a natural fit for the themes of fresh love running through the project.
The track “Alive” stands as a seamless blend of Smith’s soulful delivery and Wizkid’s signature Afrobeats flair, with the pair capturing the rush of new romance in a collaboration that began as the Nigerian star’s own idea before evolving into one of the standout moments on her latest album.
Entertainment/Arts/Culture
NCC, Publishers, REPRONIG Join Forces to Combat Piracy in South-East, South-South
The Nigerian Copyright Commission (NCC), Nigerian Publishers Association (NPA) and Reproduction Rights Society of Nigeria (REPRONIG) have joined forces to combat piracy and other copyright infringement in the South-East and South-South zones.
The organisations stated this during an Awareness Workshop on Reproduction Rights Management and Copyright Advocacy organised for members of the NPA on Wednesday in Enugu.
The programme which began with a road walk at Independence Layout was aimed at sensitising members of the public to the dangers of piracy and the need to respect the rights of authors, publishers and other creative professionals.
Commandant, NCC Enugu Command, Macfoy Akachukwu, said the initiative was designed to create awareness about the rights of writers and publishers and discourage copyright infringement.
Akachukwu warned individuals and organisations involved in piracy to desist, stressing that the commission would arrest and prosecute offenders.
“The law is very clear. We have been creating awareness on these issues, and stakeholders in the copyright industry already know that it is wrong to infringe on anybody’s copyright.
“Over the years, arrests have been made. In the last 15 years, we have taken infringing items worth over N10 billion out of the system,” he said.
He urged members of the public to desist from activities that involved piracy or infringement of other people’s intellectual works.
Also speaking, Dr Uchenna Anioke, a member of the Board of REPRONIG, described the collaboration among the three organisations as an important step toward strengthening copyright protection in Nigeria.
Anioke explained that REPRONIG manages the rights of writers and publishers and welcomed the partnership aimed at improving copyright awareness and rights management.
Congratulating the organisations for the initiative, Anioke described the workshop as a demonstration of synergy and partnership within the Nigerian copyright ecosystem.
“So on behalf of the Chairman, REPRONIG, Mr Gbadega Adedapo and board members, I welcome you all to this collaborative initiative,” he said.
He said the awareness campaign was important because many people were unaware that unauthorised reproduction and downloading of copyrighted materials constituted infringement.
Anioke, who is also a member of Executive Committee International Publishers Association, said the workshop would also produce a roadmap and action plan for addressing copyright infringement across the South-East and South-South.
According to him, piracy is widespread, including in some small-scale printing establishments where publishers’ works are allegedly reproduced without authorisation.
On his part, the National Deputy President, NPA East, Dr Jesse Odu, said the workshop was organised to draw national attention to the dangers piracy posed to the publishing industry.
Odu alleged that pirates had taken over about 70 per cent of the publishing business, describing publishing as an “endangered species” in Nigeria.
He called on the Federal Government to provide more support, particularly logistics, to the NCC to enable its operatives to effectively tackle copyright infringement.
Odu also appealed to parents and schools, including public and private institutions, to stop patronising pirated books and other intellectual works.
The national deputy vice president said piracy was not only destroying intellectual property, but also affecting the economy and contributing to job losses in the publishing industry.
He urged Nigerians to support the fight against piracy, stressing that protecting intellectual property would encourage writers and publishers to continue producing quality works.
Odu said copyright operatives in the South-East were willing to work but needed the support of government and other stakeholders to effectively discharge their responsibilities.(NAN)
Entertainment/Arts/Culture
Nollywood Producers May Leave YouTube if Naira Strengthens against Dollar – Afolayan
Ace filmmaker Kunle Afolayan has said Nollywood producers may leave YouTube as a distribution platform if the Naira strengthens significantly against the U.S. Dollar.
Afolayan stated this in an interview with former Minister of Finance, Kemi Adeosun, on the Nidacity Podcast, while discussing the increasing migration of Nollywood filmmakers to digital platforms.
According to him most filmmakers who have migrated to YouTube will abandon the platform if the exchange rate was to fall significantly.
He argued that the financial incentive was a major reason filmmakers are moving their productions to the platform.
The filmmaker said although YouTube offered filmmakers greater flexibility and accessibility, platforms such as Netflix and Prime Video provided better opportunities.
“YouTube can never give you what Netflix and Prime will give you, right? Never. But it’s the most flexible. It’s for everyone. It’s like a starting point.
“If you don’t have the strength to negotiate or if you don’t have access to the big players, then you just make your film, open an account, and put it there.
“If people watch it, you make your money,” he said.
He said filmmakers currently earning substantial revenue from high viewership on YouTube could lose interest in the platform if the naira strengthened significantly against the dollar.
“But look, the reason why people now will say, ‘I’ve hit a million views, I get $10,000,’ is because of the exchange rate. If dollar drops, everybody will run away from YouTube.
“So the attraction right now is the exchange rate because that’s what’s making it more profitable than it possibly is. So, if dollar comes to, say, N200 to $1, people will leave,” he said.
Afolayan also described YouTube as a suitable starting point for filmmakers who lacked the resources or bargaining power to secure deals with major streaming platforms.
The filmmaker said such producers could independently upload their films to YouTube and earn revenue based on viewership, making the platform accessible to a wider range of filmmakers.(NAN)


