Entertainment/Arts/Culture
Sanwo-Olu Calls for Global Standards in Regulatlng Creative Digital Contents
The Lagos State Governor, Mr Babajide Sanwo-Olu, says there should be global standards to regulate digital contents in the country.
Sanwo-Olu stated this as a guest at the ongoing Third Nigeria Digital Content Regulation Conference (NDCRC) organised by the National Film and Video Censors Board (NFVCB), in Lagos.
The governor, who was represented by Mrs Oloruntoyin Atekoja, Permanent Secretary, Ministry of Tourism, Arts and Culture.
said that Lagos State had become a hub for creativity, talent, and innovation, attracting filmmakers from all corners of the globe.“The vibrant Nigerian film industry, also known as Nollywood, has not only captivated local audiences but has also gained international recognition, solidifying its position as the second-largest film industry in the world.
“The growth of the film industry in Lagos State has not only brought immense cultural and entertainment value but has also contributed significantly to our economy.
“It has created numerous job opportunities, both directly and indirectly, for actors, producers, directors, technicians, and many others involved in the filmmaking process.
“Furthermore, it has boosted tourism, as visitors from far and wide are drawn to our state to experience the magic and diversity portrayed on the big screen.
“However, as we revel in our achievements, we must also address a pressing concern – the need for global standards to regulate digital content.
“In this age of digitalisation, where content can be easily accessed and shared across borders, it is crucial that we establish guidelines that ensure the quality, safety, and ethical standards of digital media,” Sanwo-Olu said.
The governor noted that the absence of global standards posed several challenges, adding that it had become challenging to protect the intellectual property rights of the nation’s filmmakers.
According to him, without proper regulations, practitioners’ work can be infringed upon, leading to financial losses and discouragement of creative talents.
“Additionally, the absence of standards may result in the proliferation of pirated and low-quality content, which not only harms the reputation of our industry but also affects the revenue streams of our filmmakers.
“Furthermore, the lack of global standards for regulating digital content raises concerns about the impact on our cultural values and societal norms.
“As content travels across borders, it is essential to ensure that it respects the diversity and sensitivities of different cultures.
“The absence of guidelines can potentially lead to the spread of content that may be offensive, inappropriate, or harmful to certain communities,” he said.
According to him, to address these concerns, it has become imperative for all stakeholders to work together, not only at the state or national level but also on an international scale.
“We should collaborate with fellow nations, industry experts, and regulatory bodies to establish a framework that promotes responsible content creation, distribution, and consumption.
“This framework should encompass guidelines for intellectual property protection, content quality standards, age restrictions, and cultural sensitivity.
“It should also include mechanisms for effective enforcement and cooperation among nations to combat piracy and copyright infringement.”
Sanwo-Olu, however, promised to support the growth of the nation’s film industry.
He urged the sector to uphold the highest standards of creativity, ethics, and cultural sensitivity.
He said: “I call upon all stakeholders – filmmakers, industry associations, regulatory bodies, and international partners to join hands with us in shaping global standards for regulating digital content.
“Together, let us protect the intellectual property of our filmmakers, promote high-quality content, and preserve the cultural fabric of our society.
“By doing so, we can pave the way for a thriving and globally respected film industry that not only entertains but also inspires and unites people from all walks of life.”
In his goodwill message, Malam Lanre Issa- Onilu, Director-General, National Orientation Agency (NOA), said that the creative industry was central to the idea of orientating Nigerians on true value system.
Onilu said, “I can’t think of any other influencer than this industry.
“I consider the people in this industry as my primary stakeholders, and without them, we cannot achieve the objectives on which NOA was set up.
“We must mould the mindset of our people in this country. The people in this industry must be mindful of Nigeria’s value system in whatever script and content to tell the best story about the country.”
Also speaking, Prof. Abba Tijani, the Director-General of the National Commission for Museums and Monuments, emphasised that the creative industry remained at the foremost seat in building the nation’s cultural identity.
“We have so much to say about our culture and identity because these identity reflect in our arts, culture, tradition, value system. We must visit museums and embrace our artifacts,” Tijani said.
Commenting, Prof. Sunday Ododo, Gen. Manager, National Theatre, urged the stakeholders to create contents that would create a Nigeria everyone would be proud of.
The News Agency of Nigeria (NAN) reports that the conference had in attendance several veterans in the creative and film industry. (NAN)
Entertainment/Arts/Culture
Court Awards N125, 000 Cost against Odumodublvck
An Abuja High Court on Wednesday awarded N125, 000 against a rapper, Tochukwu Ojogwu, popularly known as “Odumodublvck”, for asking for adjournment.
Justice J.O.E. Adeyemi-Ajayi awarded the cost while adjourning the matter until Oct.
27 for cross-examination and defence.The claimant, Ogbogiri Okey Levi, popularly known as Kraziecent, instituted an assault and battery suit against Odumodublvck.
At the resumed hearing, the claimant’s counsel, Uchenna Ojembe, announced his appearance and told the court that the matter was slated for cross-examination and defence.
Ojembe said his witness was in court and ready to proceed.
The Defendant’s Counsel, Ikenna Magnus, however pleaded with the court to grant him another date to enable him prepare for cross-examination and defence.
Magnus told the court that he was just coming into the matter and needed a little time to put his house in order.
Ojembe opposed the application and told the court that it was the usual delay tactic by the defence to obstruct and stall proceedings.
“This is the usual delay tactic to obstruct and stall proceedings. We will not be applying to keep them out, but we will be applying for N5 million cost,” Ojembe said.
However, the defence counsel again begged the court for leniency.
In her ruling, Justice J.O E. Adeyemi-Ajayi awarded a cost of N125, 000 against the Odumodublvck for delaying proceedings
She adjourned the matter until Oct. 27 and Oct. 29 for cross-examination and defence.
The News Agency Nigeria recalls that “Kraziecent” alleged that Odumodublvck assaulted him at a public event in December 2024, damaged his iPhone 15 Pro Max and caused him emotional distress.
He is seeking payment of medical expenses, a public apology via the defendant’s social media platforms and two national dailies, or N2 billion in damages.
Entertainment/Arts/Culture
Hunger Changed My Mind, Timini Egbuson on Embracing YouTube movies
Nollywood actor Timini Egbuson has reflected on his changing perception of YouTube movies, joking that he might have struggled financially had he continued to look down on productions made for the video-sharing platform.
Egbuson shared the thought in a post on X Tuesday night, writing, and “Can’t believe I was looking down on YouTube movies at some point.
Hunger go don kpai me by now. ”His remark highlights the growing commercial appeal of YouTube movies in Nigeria’s entertainment industry, where actors and filmmakers are increasingly using the platform to reach audiences and generate revenue from their productions.
Egbuson, who has now featured in YouTube movie productions, has embraced the growing market, adding to his work across Nollywood’s film and streaming landscape.
Many Nollywood actors have long prioritised cinema movies, often seeing them as more prestigious and commercially rewarding than YouTube productions. As a result, some overlook online films, despite their growing audiences and earning potential.
However, the success of YouTube movies is gradually changing perceptions within the industry.
Reports show that Nigerian filmmakers were increasingly turning to YouTube amid the pullback by global streaming companies, with the platform offering easier access to audiences and fewer barriers to distribution.
Entertainment/Arts/Culture
BBNaija Season 11: Keivo Becomes Second Housemate to be Disqualified
Keivo has become the second Big Brother Naija housemate to be disqualified from Season 11.
This follows his physical altercation with fellow housemate, Tram.
The fight broke out after Tram accused Keivo of taking one of his shirts.
Keivo did not take the allegation of theft lightly, and the situation eventually became violent.
It took the intervention of other housemates to calm both men down.
On Tuesday, Biggie sent ninjas to escort Keivo out of the house through the storeroom.
Biggie eventually gathered the remaining contestants and confirmed Keivo’s disqualification.
Nomy was the first housemate to be disqualified due to repeated defiance and refusal to wear an assigned punishment outfit.


